I'm not saying Lost integrated elements from other genres which have become popular. But we're now well beyond scientifically-plausible explanations, unless in the next couple of months, they can provide a satisfactory exposition of the nature of the smoke monster, alternate timelines, resurrection, etc.Brando70 wrote:I don't want to cock up the Uncharted 2 thread, but that's just a ridiculous statement. There is nothing in the current Lost storyline to tie into the explosion of vampire/zombie/snuff horror. Nothing. Furthermore, they established the mystical elements early, with dead people appearing, Locke's cure, etc. You're acting like it was a desert island version of Alive, when it's always had supernatural undertones. As they have gradually explored the island, they've (wait for it) unraveled more and more of a mystery.wco81 wrote:They were sneaky about gradually putting in the supernatural elements which seemed like throwing in the kitchen sink approach. Given how popular movies and shows featuring vampires, werewolves, etc. have become, it was a commercially savvy decision in the way they shaped the story.
I can understand if people don't like the show -- no problems here -- but people often criticize the show for elements that are at the core of the story, like the time-travel. That's like saying "I'd love the X-Files if it wasn't for the aliens" or wishing a John Woo movie had more realistic gunplay.
Time travel or alternate time-space continua were not core elements in the first couple of seasons. They've only become so in the last couple of seasons.
Here's an interview in which Lindelhoff and Cuse on the one hand say it's going to have Jurassic Park-like plausibility and on the other hand say they reserve the right to go in a more "mythic" direction.
http://www.popularmechanics.com/blogs/s ... 60693.html
Sounds like a modern version of deus ex machina. That is, tap into the "magical" when they get stuck somewhere in the plot.
One of the early criticism of the series was that there was no overall plot for the series, that they were making things up, to keep it on the air, etc.
In the interview, they claim there is an "uber-plan" but if that plan had any kind of artistic coherence, they wouldn't have to mix and match elements from different genres, unless they're saying the whole story is deliberately a mish mash.
The style and tone of the episodes have varied a lot (or lacked consistency). The early seasons were flashback-heavy and showed the characters, especially how their past may affect their behavior early on on the island. Now, does any of that matter? Or the Dharma Initiative? Or the first Others, or Ben? They kept introducing new characters, dispatching old ones in a seemingly haphazard way.
That plan must be pretty busy.